Garden Plans

Uncovering Timberline: A Lost Jewel of American Architecture!



Join us as we embark on a journey through the life and legacy of Charles Platt, a renaissance man whose mastery in painting, etching, and architecture reshaped American aesthetics. Dive deep into the hidden world of Timberline, a grand estate lost to time, featuring lush gardens, intricate designs, and a history intertwined with America’s elite. From its Renaissance inspiration to its untimely demise, discover the untold story of this architectural marvel and the genius behind it.

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Public Domain Photos from: Library of Congress,
CC BY-SA 3.0(https://creativecommons.org/licenses/by-sa/3.0/)Photos from: Wikipedia User: Dori, Dzhoy Zuckerman
Assets from: Envato Elements
Music from Epidemic Sound

Charles Platt, born in New York City embarked  on a multifaceted career that spanned painting,   etching, and architecture. Initially  trained as a landscape painter,   Platt honed his skills in etching  under the guidance of Stephen Parrish   in Massachusetts, in 1880. His academic journey  included time at the National Academy of Design,  

The Art Students League in New York, and the  Académie Julian in Paris. His early works,   particularly in etching, were recognized  at the Paris Salon of 1885 and further   celebrated with a bronze medal at the  Paris Exposition Universelle of 1900.

Even with a touch of fame, fate had other  plans for his talent. A pivotal moment in   Platt’s career was his trip to Italy in 1892,  where he photographed Renaissance gardens and   villas. This experience profoundly influenced his  aesthetic direction and led to his publication of  

“Italian Gardens” in 1894, a seminal work that  greatly and instantly influenced American garden   design. This garnered him attention from some of  society’s most elite individuals who outbid each   other for the chance to have buildings designed by  him. From the likes of Edith Rockefeller McCormick  

Who had Platt design a distinctly American villa  drawing inspiration from the Italian renaissance,   to leading figures such as Vincent Astor who  would keep him busy with numerous projects,   Platt’s architectural endeavors, marked by  a refined taste and an elegant simplicity,  

Became the envy of the wealthy elite. He  demonstrated a wide range in his work,   from luxury housing to institutional  design, such as the Freer Gallery of   Art at the Smithsonian. And for completing his  projects in the most aesthetic way possible,   he collaborated with other celebrated  designers including the Olmstead Brothers.

One of their collaborations lead to  the creation of the country estate   known as Timberline in 1907. Commissioned by  William Hinckle Smith, a wealthy financier,   the house and gardens were to  compete directly with some of   the nation’s most lavish country homes  in Philadelphia’s affluent Main Line.

Unlike many buildings which were  designed first and later landscaped,   the house and gardens were designed at the  same time, not as a reaction to each other,   but as a continuous design, allowing  the indoor and outdoor spaces to flow   together in mathematical harmony through  the use of proportions and texture.

Grand staircases were planned to break away  from terraces, leading you through garden   paths to discover fountains and pools.  Some gardens were meant to grow wild,   while others were perfectly manicured. As you  traveled through over the peagravel paths, you  

Would find statues and clay pots adding a sense  of intrigue. And if you grew tired of walking,   you could rest in the shade of fruiting  vines overgrowing pergolas and pavilions. As you travel away from the house and look back,  this private oasis disappears behind the brush,  

As if it were a secret garden  only meant to be known its owners. We will now circle back around the house and  begin making our way towards the front door.   The façade is finished in a creamy stucco,  nearly indistinguishable from the house’s   limestone accents and all sheltered  below a muted terracotta tile roof.

Entering the home, we will pass below the  bifurcated staircase’s landing and arrive in   the Hall. Looking back from the Hall, we see the  grand staircase behind stone columns supporting a   ceiling of exposed wood beams. Just before the  house was built, Mr. Smith purchased a large  

Portion of architect Stanford White’s furniture  from his widow during their estate auction. As we travel into the dining room,  we might recognize more pieces from   Stanford White’s collection  decorating the rich interior. The library continues with this simple, but  refined theme, and while it is not rustic,  

Great restraint was placed on its finishes so  that it would flow with the rest of the house. Timberline went on to inspire generations  of architects, including David Adler,   who would be inspired by the work  of Platt and the Olmstead Brothers. Unfortunately, when William Smith passed  away, the Timberline was left abandoned  

By his family. By the 1970s, the once  architecturally significant estate had   fallen into disrepair. So when the  Blue Route Highway was planned to   run straight through the mansion, little  pushback was given to attempt to save it. Thankfully, we still have a handful of  photos and drawings to remember it by.

Which room was your favorite? Let me know down  below in the comments section. And while you’re   there, make sure to hit that subscribe button so  you never miss an exciting episode of This House!

30 Comments

  1. Hi Ken and Dalton, Merry Christmas and a Happy New Year to you and your viewers.
    As always a wonderful video.
    My favorite areas are the gardens. A question, are you still remodeling your home?
    Please keep us up-to-date !!

  2. This house was magnificent!! I really like the gardens. Too bad it was demolished, like so many wonderful old homes!! Thanks Ken for sharing another exciting video!!! 👍👍🙂

  3. The heirs of the original owners of these magnificent buildings and gardens often weren't as invested in them. However, it is nevertheless sad that such beauty and craftmanship is abandoned after just a few decades. I imagine the saddest might be the artisans and craftsmen and women who might have spent years working tirelessly to create these masterpieces.

  4. How sad! No one in the family was interested?..what an absolutely beautiful house and grounds. Such a shame that it couldn't be given a new life. Thank you for your tours. Always enjoy them

  5. Could you please do me a favour? It seems you have destroyed most of the beautiful buildings in the US. Wouldn’t it simply be better to list those who have not (yet) been destroyed? It can’t be that many.

  6. Of the many people who think they know how things should look, very few (like Platt) know how things should look.

  7. I don't have a favorite room here, but I think the landscaping and outdoor spaces were beautiful. Having been there many times, I'm partial to the Freer.

  8. There's a rare Charles Platt house in Montreal, Quebec, do you know it?
    It was a monastery for a while but became a single family home again a while back

  9. So sad that we have lost these homes. You can see the symmetrical and design similarities in this house carried over in some of David Adler's projects in Lake Forest, IL. Fortunately, at least for the time being, most of those Lake Forest homes have people living in them but with property taxes growing higher and higher, at some point they may be at risk. 255 N Green Bay Rd, Lake Forest, IL was recently for sale and 700 Arbor Dr. Lake Bluff, IL was sold a few years back. Both are beautiful Adler designs.

  10. This house was built in PA? From the looks and gardens, I would have thought it was in CA or even FL . When you said,' If you got tired walking the garden, you could sit in the shade of fruit trees and flowering vines.' The only thing I could think about was who would want to walk that garden in the winter, let alone sit under friut trees?!. Perhaps I'm mistaken and put 2 & 2 together from the Bryn Mar drawings and assumed this house was in Philadelphia. It was a nice house, and the idea of trying to combine the gardens to look like the interior flowing into the gardens I wish I could see. I can "see" a solarium/greenhouse flowing from a room but not a formal garden. I think that would have been awesome.

  11. CAP was a true iconoclast who worked for the artistic freedom his talent afforded him, and not for “filthy lucre.” His own home in Cornish is a perfect mixture of casual formality, and harkens back to a bygone age where things were created to endure.

  12. What a place! And it had some of the murdered Stanford White's furniture! It survived until the 70's! It should still be here now!

  13. The interior holds little interest contrasted to the elegant exterior lines and the grounds. One would wander daily and never tire of the changing paths, especially with each season. How so much labor, thought, and expense could be just walked away from by owners baffles me. Curious: what would have been the acreage of Timberline? Thank you for this viewing. peace

  14. I drive the blue route frequently, and even though it is a necessary road, I’m saddened to learn of the loss of such a beautiful estate for the highway. 😢

  15. Charles is the great-grandfather of the actor Oliver Platt. On his mother's side, he is the great-grandson of Cynthia BURKE-ROCHE who was the aunt of Frances Ruth Burke-Roche who in turn was the mother to the late Diana, Princess of Wales.

  16. Wow to have this just disappear is tragic. I love those fireplaces. But the gardens were exquisite and seemed so private. Thanks Ken and I hope you had a wonderful Christmas. Good fortune in the New Year to you and all your followers!

  17. I would love to hear your narration of the Muse’s Department Building in Atlanta! What once was one of the best spots to shop for menswear.
    Today the building has been converted into apartments if that’s of interest. Much love! 🙂

  18. The difference between Italian (most Euro) and US architectural landmarks.
    Greedy American real estate developers who profit on teardowns.
    This should have been restored and transformed.

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